Wilson and Alroy's Record Reviews We listen to the lousy records so you won't have to.

 Main page 

 New additions 

 Pop: 00s  90s 80s 70s 60s 50s

 Latin/Jazz 

 Top 20: DBW JA 

 E-mail 

Trouble Funk


Reviewed on this page:
In Times Of Trouble - Drop The Bomb - In Times Of Trouble (2 disc version) - Trouble Over Here, Trouble Over There


Trouble Funk wasn't the first go-go band (Chuck Brown and the Soul Searchers were), but they were the foremost ambassadors of Washington DC's great contribution to popular music. Over a polyrhythmic base using timbales and other Latin percussion and funky bass, go-go uses chanted vocals and little splashes of horns, keyboards, chunky rhythm or scorching lead guitar. It's an extraordinarily supple, extensible form -- you can play anything from an MOR ballad to a car commercial over a go-go beat and make it danceable. Trouble Funk has a remarkable ear for catchy hooks, a fantastic rhythm section, and staying power: I saw them a few years ago, and they still had all the groove and enthusiasm of their pioneering early 80s records. For more on go-go, check the Go-Go Home Page. (DBW)

Personnel:
Tony Fisher, bass; Robert Reed, keyboards; James Avery, keyboards; Taylor Reed, horns, keyboards; Chester Davis, guitar; Timothy "T-Bone" David, percussion; Mack Carey, drums & percussion; A. Robinson, drums; David Rudd, sax. Robinson left 1982, replaced by Emmett Nixon.


In Times Of Trouble (1979)
The group's debut includes major grooves like the near-instrumental "Spin Time," the horn-driven "Say What" and "In Times Of Trouble," two versions of the frantic "Funk 'N' Roll," and even a yearning ballad, "Freaky Situation." More varied than most go-go records, but also containing the seeds of their later sound. (DBW)

Drop The Bomb (1982)
Several of the band's big hits are here, but not in the hit versions: recorded in a hurry for Sugarhill Records, the album includes stripped-down, lackluster versions of the title track and "Pump It Up," which both drag without the hooks of their later versions. The single "Hey Fellas," with an irrestistable horn lick, is the only worthwhile cut here -- the CD includes a single version plus the hard-hitting non-album "Supergrit" as bonus tracks. (DBW)

In Times Of Trouble (2 disc version) (1983)
A 2-disc rerelease which adds a live album recorded in DC, a nonstop jam including half a dozen stunning riffs and a smoking version of "Let's Get Small." If you want to hear go-go at its best, live and studio, don't pass this up. (DBW)

Trouble Over Here, Trouble Over There (1987)
This time out, the band gave up on go-go and went for a mildly funky R&B sound, working with Bootsy Collins. It doesn't work: the tunes are mundane, with so many overdubs layered on, the music loses any spontaneity. Bootsy brings in late 80s cohorts Steve Jordan, Vickie Vee and Mico Wave, and wrote "Trouble" and "New Money," which are decent but forgettable. The one excellent track is the only one that recalls Trouble Funk's old sound, the hook-filled ode to their percussionist "Hey Tee Bone." (DBW)

Classics Vol. 3 - Back In The Day (1994)

Droppin' Bombs (1999)
A greatest hits. (DBW)

All The Way Live (2000)


Let's get small.

 Main page 

 New additions 

 Pop: 00s  90s 80s 70s 60s 50s

 Latin/Jazz 

 Top 20: DBW JA 

 E-mail